makar/unmakar: twelve contemporary poets in Scotland Tapsalteerie

notes toward an erotics of wading (w/ Paloma Proudfoot) Try To Be Better

the willows on the common are still on fire Undo Things Done (Wales in Venice)

capriccio (extract) The Stinging Fly Issue 40 Volume 2

she didn’t paint the sea Poetry Daily / The Dark Horse #40

two poems Hotel #5 

two poems Close #5

Spells: 21st Century Occult Poetry Ignota Books

two poems Edwin Morgan Poetry Award

three poems ZARF #12

September fragments Cumulus #1

understudies for air Sad Press 

four poems The Poetry Review

Raasay slideshow Blackbox Manifold

sixteen bells for a white marriage Swimmers #4

mineral intimacy Poetry London 

two poems The White Review

four poems Tender 7

Worthless Objects Tender x ICA

Test Centre Magazine Six, Seven & Eight Test Centre

Dredging the Baotou Lake Lighthouse #11

Tiree Ambit 222

Christ Reveals Himself to the Female Mystic via her Junk Inbox para·text issue 1 

Best British Poetry 2015 Salt



a company of fools on Cecil Collins’ archive, Tate Etc., 2019 

can you be a revolutionary & still love flowers? MAL journal x Serpentine, PLANTSEX, 2019

wildly unmothered Poetry London, 2018

ECZEMA!  The White Review, 2018

Shonky: The Aesthetics of Awkwardness Art Review, 2018

Ma Qiusha at MIMA Art Review, 2018

The art of slowing down Apollo, 2017

The Making of the Future: Now Visual Culture in Britain, 2017

IHF: Little Fields, Long Horizons Journal of British and Irish Innovative Poetry, 2017

slice the delicate network// Talbot Rice Gallery, 2017

(becoming) tumbleweed Doggerland, 2017

speaking nearby MAP, 2016

On Amali Rodrigo and Robert Herbert McClean The Poetry Review, 2016

the historical pawprint: thoughts on Ariana Reines’s The Cow Wild Court, 2016

Post-wounded: on Leslie Jamison’s The Empathy Exams The Quietus, 2014




cliché is the sediment of sentiment that collects in my ear: an essay in mondegreens ‘Wisps’ by Luki, G.L.A.R.C., 2018

interview The Poetry Extension, 2018

The DeLorean time machine, or, the role of wifely labour in the maintenance of capitalism Chisenhale Gallery, 2018

Doubtful Glossary ‘I say Nothing’ Christine Borland, Glasgow Museums Press, 2018

Homo Ferens Edinburgh Sculpture Workshop, 2017

seeing red Annuale, c/o Embassy Gallery, 2016

Extremophiles The Burning Sand, 2015

Egor Unthology 6, 2015

Three Micronations & From Drone HQ: A Conversation in Three Episodes w/ Collette Rayner, VERBureau, APT Gallery, 2014